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Shit Creek Review
''The Shit Creek Review'' is an online literary and art magazine (webzine or e-zine). Its content is mostly related to poetry, and includes work belonging the differing styles of formalism and free verse by established authors and new writers. It draws on the authors and resources of a number of online poetry forums, such as Eratosphere and The Gazebo.
== History ==
It was founded by Australian poet Paul Stevens in 2006, who was soon joined by Nigel Holt and Angela France, who also edits the U.K. print magazine iota as its poetry editors, Don Zirilli as its art editor, and Patricia Wallace Jones as artist-in-residence. It has published many notable poets from the U.K., U.S. and Australia, including Nicolette Bethel, Alison Brackenbury, Maryann Corbett, Louie Crew, Denise Duhamel, Rhina Espaillat, Andrew Frisardi, M. A. Griffiths, R.S. Gwynn, Bill Knott, J. Patrick Lewis, Kei Miller, Kevin Andrew Murphy, Timothy Murphy, Lee Passarella, Craig Raine, Charlotte Runcie, A.E. Stallings, Wendy Videlock, Richard Wakefield, John Whitworth, Kirby Wright and Peter Wyton. The journal is archived by the National Library of Australia.
The ezine was originally started by Stevens as a joke based on its name ''Shit Creek Review'', which is a not-so-subtle ironic allusion to the many literary magazines which use the formulaic title "X Creek (or River) Review", as well as incorporating a play on the Australian colloquialism "Up Shit Creek in a barbed wire canoe without a paddle" (meaning to be in serious difficulties), made famous by Australian comedian Barry Humphries through his persona of the ocker "Barry McKenzie".
Paul Stevens chief-edited the first ten issues until health problems caused him to step down in late 2009, replaced by Rose Kelleher. Editors Patricia Wallace Jones and Don Zirilli also left the editorial team at this time. Holt, Kelleher and France co-edited issues 11 and 12, Holt subsequently leaving the team; Kelleher, Angela France and Paul Stevens co-edited issue 13, and Kelleher and France were joined by Ann Drysdale and R. Nemo Hill as co-editors for issue 14. Kelleher relinquished the post of editor in July, 2011, and Stevens resumed chief-editing for issue 14 (December, 2011), rejoined by original editorial team members Zirilli and Jones, who, along with Angela France and Ann Drysdale, produced the "End of Days" themed issue 14. It is uncertain whether there will be future issues of the journal, but that remains a possibility.
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